Adrian Winter

2nd Year BA (hons) Wildlife Photography

Unit 203 - Environments

Log Book

Introduction

 

First thoughts...

Approaches...

What kind of photographs do I want to make? That is, if I weren't doing this unit what images would I be making anyway and can I carry on in that way and still fulfil the brief? Or is that a bad idea anyway, would I not be better off working at it from the other end, deciding on what it is I want to say and coming up with a way of saying it? (That is if photography is about "saying things.")

[Idea: How three different environments effect the same species. Would work well with a tree, like Yew or...Could I do it with a bird?]

Another approach is to consider what potential market my images might be aimed at. Obviously the immediate market is Mike and Jonathon and that has its own set of criteria but should they be all that different to what might work on Alamy or for wildlife magazines, galleries....?

 

Susan Derges

Keats

Death and Decay - fallen

Music

Joiner/Photostitch

Pop Art

Random Selection

Scanner

Collections....leads (eventually) to my project images,

Oak Image pages:  oak leaf image 9x 30  Oak leaf sevens. Oak Leaf seven groups grids  Circular Oak Leaf Arrangements

Just a bit of fun

Also: razor shells

&: holly leaves

Minimalism

Chuck Close

Richard Long

Qualities

Illusions

03/02/05 The pieces are starting to come together, I've decided to shelve the random selection idea (though what I will be doing does have a random element) and use it for the next project - man's effect - where I think it will work really well. I've come to this decision because the collections idea is starting to take off.

Page of Links

Rationale